Beat-locked cuts
Every cut lands on the record's own transients — not a generic timer. The edit moves because the song moves.
The record is finished. The feed never heard it. While it sits in your camera roll, the algorithm hands your reach to whoever posted today. Clipareel turns one video into a month of clips built to move.
Three real clips, cut from one artist's own footage. No stock library, no mockups, no AI actor pretending to be you. This is the actual output. Tap to play.
9:16 · knockout
9:16 · your words
9:16 · beat-cut
There are three normal ways to get clips made. Each one fails the same release for a different reason.
Template clip apps that stamp the same font, the same cuts and the same look onto every song in the feed. Volume with no point of view — and your record disappears into the sameness.
One freelancer, no system, no taste law. You re-brief them every time and hope this batch lands. Cheap right up until you count the revisions and the weeks you lost.
Slow, gatekept, priced for labels. A month of emails before a single clip ships. You are a line item on a retainer, not the artist they build around.
An engine that cuts at machine speed — with a human taste law on the shipping door. Every clip is built from your own footage and read by a person before it reaches you. Not a template. Not a hope. A system.
Eight things every campaign ships with. Real capabilities, no filler, no credits to count.
Every cut lands on the record's own transients — not a generic timer. The edit moves because the song moves.
Your exact lyrics on screen in the knockout look, artist-approved. Never the auto-transcribed garbage that guesses your words.
The engine finds THE moment — the line people already repeat — and builds the clip around it instead of a random fifteen seconds.
9:16, 1:1 and 16:9 from a single pass. One cut, every platform, no reframing scramble on your end.
A month of clips delivered named, ordered and ready to post — with a plan for what drops when.
A per-artist palette pulled from your own footage, so every clip in the campaign reads as one body of work.
One link for the whole campaign, included — the place the clips point traffic back to.
Real tracked numbers on what landed and what didn't. Receipts, never estimates — and the next batch gets sharper because of them.
One video in. A month of clips out. Three steps — none of them yours.
Drop a link to your video — YouTube, Drive, Dropbox, wherever it lives. That is the entire ask on your side.
The engine finds the moments and cuts beat-locked, caption-true clips in every aspect. A person reads the batch before it ships.
You get the folder, the smartlink and a posting plan. You drop them. We watch what lands and sharpen the next run.
Every campaign passes a human taste check before it ships. A person looks at the cuts, the captions and the color and decides whether it is good enough to carry your name. That check has a ceiling — it caps how many campaigns we take each month.
When the month's slots are gone, the door closes until the next one opens. No waitlist theater, no fake countdown — just a real limit that keeps the work honest.
Artists who come in early get founding terms — locked while the slots last. The engine only gets more selective from here.
This is what getting clips made actually costs out there — real figures, not scare numbers.
Agencies, per drop. Slow and gatekept on top of the price.
Retainer editors. A standing bill whether the work lands or not.
Gig editors, one at a time. No system, no taste, no tracking.
Cut from your own footage, in the knockout look, before you spend a dollar. You send one link. We hand you a real clip. If it moves, we run the campaign — if it doesn't, you keep the clip and owe nothing.
Claim a demo slotDrop your best video. We cut you one clip in the knockout look — free. One human reads every request. If a slot is open, you hear back with the cut.
Your video is in the studio queue. We cut the demo and reply to your email — usually within a couple of days. Keep an eye on the inbox you gave us.
Replay the work